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16 MM and 35 MM Postproduction
  16 mm and 35 mm negative development
  first positive and rush administration
  production printing
  Projection
Standardization
Laser sub-titling
Printing copies
Storage
production printing
Making :

Copies from negatives
Copies from internegatives through immersion
Interpositives
Internegatives
Sub-titling internegatives
   
Equipment
  • 2 Bell 35 mm print à sec analogical sound.
  • 2 BHP immersion 35 mm analogical sound + SRD sound + DTS sound.
  • 1 BHP 35 mm immersion analogical sound 3 and 4 perforations + SRD sound + DTS sound + SDDS sound (if it is not transformed into tireuse à sec).
  • 2 Seiki for changing format from 16 mm to 35 mm ; super 35 mm to 35 mm (scope and 1.85) ; 35 mm to 35 mm ; 3 perforation printing to 4 perforation.
  • 1 ACME sub-titler.
  • Rush printing.
  • Copies from negatives once the film has been edited.
  • Interpositive printing once the standardized negative has been validated by the director and head cameraman.
  • Internegative single light printing because all the standardization indications are given in interpositive.
  • Internegative sub-title printing on ACME via a second passage to impress the sub-title on the internegative.
  • The sub-titles are impressed image by image on the internegative through a short tape containing the translation. This process produces more stable and far higher quality sub-titling.