Digital standardization

Digital standardization is, without doubt, one of the most innovative aspects of the new technology forming the digital production line. Digital standardization offers incomparable creative advantages. The photography director and the film director, working closely with the colourist, can print their final vision on the image and, above all, work together in real time to improve the slightest detail.

Digital standardization permits precision work affecting numerous perameters. Colourists are therefore able to rework colour densities or lighting effects just like artists, and employ their talents with creativity. The colourists work with the entire colorimetric palette, using primary and secondary colours. During digital standardization it is also possible to work on skin texture or create « night » effects, without interrupting the flow of work.

Eclair has at its disposal top-performing image processing tools, dseigned to manage any type of project and resolution. Its standardization rooms are equipped with DLP Cinema digital projectors, providing immediate visualization in optimum screening conditions.

Eclair has 3 rooms equipped with Discreet lustre and a room with a Specter Thomson. Conforming is carried out on postes assistants lustres.

Eclair performed over 100 digital standardizations, which included titles as prestigious as:

  • Un long dimanche de fiançailles
  • Arsène Lupin
  • Deux frères
  • Immortelle ad vitam
  • Alexander
  • La marche de l’empereur
  • Joyeux Noël
  • Oliver Twist
  • Oss 117, Le Caire nid d'espions
  • Indigènes
  • Camping
  • Love (et ses petits désastres).